The name of our company is somewhat of a paradox - skeptics say there can be no sound in the virtual world, only digital streams. Skeptics are always right, but skeptics never create anything anyway they simply tear down what pre-exists.

The virtual world attracts us with its unlimited possibilities of synthesis and by the possibility of combining the incompatible. We know that synthesis without harmony gives birth to monsters, but we're prepared to run this risk in order to better study the art of sonic harmony.

The virtual world with its contemporary methods of computer simulation reduces the time needed for loudspeaker experiments by factors of hundreds, a huge improvement upon the trial-and-error method of reaching a given set of parameters.

In the virtual world the efforts of development engineers, artist-designers and technicians are conducted in concert. This is how a new loudspeaker design is created and converted into an experimental model.